Combining Texts

All the ideas for 'The Science of Knowing (Wissenschaftslehre) [1st ed]', 'An Essay in Aesthetics' and 'Philosophical Logic'

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52 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
Fichte's subjectivity struggles to then give any account of objectivity [Pinkard on Fichte]
4. Formal Logic / D. Modal Logic ML / 6. Temporal Logic
With four tense operators, all complex tenses reduce to fourteen basic cases [Burgess]
4. Formal Logic / D. Modal Logic ML / 7. Barcan Formula
The temporal Barcan formulas fix what exists, which seems absurd [Burgess]
4. Formal Logic / E. Nonclassical Logics / 2. Intuitionist Logic
Is classical logic a part of intuitionist logic, or vice versa? [Burgess]
It is still unsettled whether standard intuitionist logic is complete [Burgess]
4. Formal Logic / E. Nonclassical Logics / 5. Relevant Logic
Relevance logic's → is perhaps expressible by 'if A, then B, for that reason' [Burgess]
5. Theory of Logic / A. Overview of Logic / 4. Pure Logic
Technical people see logic as any formal system that can be studied, not a study of argument validity [Burgess]
5. Theory of Logic / A. Overview of Logic / 6. Classical Logic
Classical logic neglects the non-mathematical, such as temporality or modality [Burgess]
Classical logic neglects counterfactuals, temporality and modality, because maths doesn't use them [Burgess]
The Cut Rule expresses the classical idea that entailment is transitive [Burgess]
5. Theory of Logic / A. Overview of Logic / 9. Philosophical Logic
Philosophical logic is a branch of logic, and is now centred in computer science [Burgess]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Formalising arguments favours lots of connectives; proving things favours having very few [Burgess]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / c. not
Normativity needs the possibility of negation, in affirmation and denial [Fichte, by Pinkard]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / e. or
Asserting a disjunction from one disjunct seems odd, but can be sensible, and needed in maths [Burgess]
5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
All occurrences of variables in atomic formulas are free [Burgess]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / b. Definite descriptions
The denotation of a definite description is flexible, rather than rigid [Burgess]
5. Theory of Logic / H. Proof Systems / 1. Proof Systems
'Induction' and 'recursion' on complexity prove by connecting a formula to its atomic components [Burgess]
5. Theory of Logic / H. Proof Systems / 6. Sequent Calculi
We can build one expanding sequence, instead of a chain of deductions [Burgess]
The sequent calculus makes it possible to have proof without transitivity of entailment [Burgess]
5. Theory of Logic / I. Semantics of Logic / 3. Logical Truth
'Tautologies' are valid formulas of classical sentential logic - or substitution instances in other logics [Burgess]
5. Theory of Logic / I. Semantics of Logic / 4. Satisfaction
Validity (for truth) and demonstrability (for proof) have correlates in satisfiability and consistency [Burgess]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
We only need to study mathematical models, since all other models are isomorphic to these [Burgess]
Models leave out meaning, and just focus on truth values [Burgess]
We aim to get the technical notion of truth in all models matching intuitive truth in all instances [Burgess]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
The Liar seems like a truth-value 'gap', but dialethists see it as a 'glut' [Burgess]
10. Modality / A. Necessity / 4. De re / De dicto modality
De re modality seems to apply to objects a concept intended for sentences [Burgess]
10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity has two sides - validity and demonstrability - which coincide in classical logic [Burgess]
General consensus is S5 for logical modality of validity, and S4 for proof [Burgess]
10. Modality / B. Possibility / 8. Conditionals / a. Conditionals
It is doubtful whether the negation of a conditional has any clear meaning [Burgess]
Three conditionals theories: Materialism (material conditional), Idealism (true=assertable), Nihilism (no truth) [Burgess]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
Necessary truths derive from basic assertion and negation [Fichte, by Pinkard]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Fichte's logic is much too narrow, and doesn't deduce ethics, art, society or life [Schlegel,F on Fichte]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
Fichte's key claim was that the subjective-objective distinction must itself be subjective [Fichte, by Pinkard]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / a. Other minds
We only see ourselves as self-conscious and rational in relation to other rationalities [Fichte]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The Self is the spontaneity, self-relatedness and unity needed for knowledge [Fichte, by Siep]
Novalis sought a much wider concept of the ego than Fichte's proposal [Novalis on Fichte]
The self is not a 'thing', but what emerges from an assertion of normativity [Fichte, by Pinkard]
16. Persons / B. Nature of the Self / 6. Self as Higher Awareness
Consciousness of an object always entails awareness of the self [Fichte]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
Judgement is distinguishing concepts, and seeing their relations [Fichte, by Siep]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Fichte's idea of spontaneity implied that nothing counts unless we give it status [Fichte, by Pinkard]
26. Natural Theory / A. Speculations on Nature / 1. Nature
Fichte reduces nature to a lifeless immobility [Schlegel,F on Fichte]